Thursday, December 5, 2013

Art of Acting Out Press Release-Kickstarter Campaign

FOR IMMEDIATE RELEASE 12/4/2013


Phil Collins Gets a Web-Series
Sorry, twenty-something Phil Collins. From Denver. Who also has super powers!
Denver, CO: The new web-series “The Art of Acting Out” is looking to make Denver the new Hollywood. With its all local cast and crew, The Art of Acting Out (AOAO) is currently seeking backers (in the form of KickStarter donations) to help fund and contribute to this popular word-of-mouth series. For more information about backing and the rewards, visit http://kck.st/18CJzBw.

The Art of Acting Out hopes to launch in the Spring of 2014, and will feature all things Denver (local talent, businesses, etc.) while providing a chance for the 20 (and counting) cast and crew to make a dream into a reality.

With over 100 backers so far, the Art of Acting Out is half-way to meeting its goal of $10,000 in pledges by 9pm MST on December 15th, 2013.

The Art of Acting Out is a story about Phil Collins, the barista, and how he quits his job to become an actor in Denver, Colorado. So, technically no super powers, but it does take a heroic amount of courage to quit a comfortable job and take that leap to follow his dreams.

With the help of his questionable manager Tony, we follow Phil on his journey as he takes every bad first gig you can imagine. Along the way he meets his Dream Girl Jennifer, her boyfriend (and future nemesis Jack Ace) and learns to grow and face some of his fears... like stage fright, creepy clowns and what happens if he can't get a job to pay the rent.


Producer: Tyler Martin
Associate Producer: Jeremiah Zentz
Writer: Gregory Aronoff
Lead Actors: Cody Dermon, Todd Simmonds, Evan Duggan, Beverly Jeanne, Mia Klosterman.
Director of Photography & Editor: Buddy Thomas
Score & Music: Drew Bradley
Hair, Make Up, Prosthetics: Cory Bryant & Emily Mckim.
Find out more at www.theartofactingout.tv

Tuesday, November 19, 2013

Every Phil needs a Tony






I started out on this project as a last minute crew member for a night shoot at the Roostercat, location of our first episode and recent host location of our Kickstarter premiere. When I arrived on set I met this enthusiastic cast and crew so excited to finally be filming this story they had all fallen head over heels for. 

As it turns out, one could say they all had a little bit of Phil in them. They have a desire to go all out as filmmakers in Denver, Colorado. Their aspirations elevated by the story they were so excited to finally start telling.

Over the course of the next several months production was a bit slow, lots of opportunities dried up, things just couldn't happen. Not being involved in the planning phases, and being busy with my kids for the summer, I honestly thought nothing of it. Only near the end of the summer did I learn more about the challenges of putting on a show with no budget, how close they have gotten only to miss out on yet another chance to nail a shoot.

It occurred to me that this cast and crew of mini-Phils needed a Tony. You see, as washed up and sleazy as Tony may be, he always gives Phil an opportunity to shine. Be it an audition, in front of a camera, or just flat out stealing another actor's role, Tony wheels and deals until something becomes available for Phil, every episode. 

This story, the Art of Acting Out, needed more chances to shine. So, I put it upon myself to do everything I could to ensure that this cast and crew had the opportunity to get a production day lined up and start shinning.  It was time to find out if I could be this crew's Tony.


It was not just I, though. Everybody in the crew got tired of being a pushover Phil, and started finding the Tony in them. This led to a production packed October that seemed nothing short of a miracle. Weekend after weekend we landed big productions. Every potential shoot had moments that could have led to yet another missed chance. Collectively, we managed to weasel our way into more sealed deals. Instead of accepting defeat, we found ways to create another chance to set up, shoot, and shine. 

The results have led us to a fine tuned production powerhouse. We constantly impress new crew and cast additions that join us for the first time.

Now I want to ask everyone out there who has a little bit of Phil in them to look in the mirror, deep into themselves, and see if they can't find a bit of Tony.  If you do, why don't you help give us a chance to shine? Consider backing us at http://www.kickstarter.com/projects/1543547486/the-art-of-acting-out-kickstarter-campaign

Sincerely
Jeremiah Zentz
Assosciate Producer-the Art of Acting Out



Saturday, November 16, 2013

Kickstarter Release Party

We definitely succeeded in having a tremendous turn out last night. It looks like our show is well received, the stickers and t-shirts are out there, and so is the most important item, our Kickstarter video! Go watch it now, then come back to this blog...

http://www.kickstarter.com/projects/1543547486/the-art-of-acting-out-kickstarter-campaign

We would like to thank the silent auction sponsors, without their help we would not be where we are right now financially. Their contributions were a HUGE spring board into the next 30 days of fundraising, but we still need those pledges so jump on there and back our show!

The house band, with Drew Bradley (the series composer) on guitar and vocals, did an excellent job warming up the guests outside. Check them out below,ladies and gentlemen, the Young Freaks.


By the way, this and all photographs from that night wouldn't be here without the tireless efforts of Chris G, of Cg Photog, who live uploaded photos during the evening, straight to our FaceBook wall! Speaking of which, add him on FaceBook and show some love!

As you see the crowd packed into the viewing area to watch the first sneak peeks at scenes from episodes one through three. If you weren't there, sorry for you, these scenes won't be available for anyone but backers until 2014!

Jeremiah got up and fumbled a few words to make sure the crowd was nice and excited, oh boy were they. Then we went live on Kickstarter, which, by the way, go to the page, now...Seriously. Tyler jumped up to introduce our leads in character as Phil and Tony.
After Meeting Tony and Phil, the crowd started getting down to the beats of Nofrendo, who certainly made a few friends that night! The crowd made sure we didn't have any booze left, which is ok, since they made up for it in cash donations that pretty much covered their drinking, and as a bonus, the went home with over $1,000 in silent auction items. Way to go everybody, we love you! Now should we invite them all back for a get together near the final days of this kickstarter fundraising month? Which reminds me, go to Kickstarter and pledge pledge pledge!




Wednesday, November 6, 2013

Kick Starter and Silent Auction November 15th 2013 7pm Rooster Cat 1045 Lincoln, Denver, Co

After about 6 months of planning, production, shooting, and editing, the Art of Acting Out is thrilled to bring our friends, family, and followers together for a night of exclusive viewings, live music, mingling with the cast and crew, drinking and eating, donations and auctions! 

Friday night, November 15th, RoosterCat Coffee House (location of our first episode!) will be closed up for a private party that we want YOU to attend!

Come down to 1045 Lincoln for free beer, drinks, and food starting at 7:30pm.

 Bid on our awesome silent auction items, many of which you can go home with that night!

Get to be the first to watch scenes from our first three episodes, months before they are released!

Finally, watch our Kick Starter Video, meet some special guests, and help us get to our fundraising goal by donating whatever you can.

Tony: Blog Entry 1 - Nailing Talent

Well, I've been scouring the local high school productions of Brigadoon and hanging out at Claire's in the mall, and I've discovered some new talent. Just signed a teenage girl named Lola Consuela Maria Lupe Conchita Lott!! This girl can twerk and always seems to have enough 1's on her to break a 20. She's only 17, but has learned to be a wonderful mother to all four of her noisy little kids!

She also made a salve for me of crushed pepper, vasoline, olive oil and black beans that she swears will help Phill get rid of that nasty lip herpe he seems to be so fond of. If it don't work, I've got some ice and an old friend who used to be a moil. 

Once Phil is presentable again (instead of looking like some kid who just moved here from Omaha and has to work nights on East Colfax just to make enough money to buy a bacon cheeseburger from Wendy's), I've got another audition for him - better shave his legs and learn how to ice skate!

I'm always looking to sign new talent, so if you know anyone with skills enough to not be recognized in a police line up, send them my way. Ok, gotta run - I've only got a couple credits left on this card and then I have to try and hail a cab from this Romantix to take me downtown. Shalom.

Tony Anthony
Hollywould Talent Agency
"We put the U in Hollywould!"

Sent from No-Credit-Mobile pay-per-use.
The third nationwide calling card phone.

Monday, November 4, 2013

Foils + Dyes shoot completes Episode 3!

Sooooo, Saturday we shot at Foils + Dyes, a massive screen printing, props and set production warehouse in downtown - I am not sure if Greg created this place with the screenplay, or if the location was THAT perfect.... Needless to say, the shoot was organized chaos with double-digit talent scheduling, the location closing up at 3p, beauty light setups, fans and glitter, and a train cruising by every half hour to destroy our audio. I personally don't think production success is complete without the shoot completely racking our brains, and it sure did.

Saturday, our talent was incredible - to the point that each part is humorous on its own within the script, but the performances tripled-over the humor within each character's scene. The mobsters look and accents were spot on, Seymour couldn't have been a creepier clown, our yoyo cowboy looked amazing, Malcolm's line meant for connecting the story became funnier just by him being back-lit by a moon and star prop and seeming uninterested, my friend Mary and her son Nate nailed the parts for "Worst Stage Mom Ever / poor son" [hope his arm is okay from the yanking!], "Jennifer" looks absolutely stunning with the fan shot at 60fs slo-mo, Tuwayne! so happy he's our bouncer and made us laugh every single take, our "PA" and "intern" were 'one-and-done' takes, and I don't think I could put words to Evan Duggan's performance as "Jack Ace"... sometimes you have to change small bits up from the script to the day of production, but Evan literally performed what my mind had perceived in Greg's screenplay, to the 'T'. As an improv comedian, his ad-libs are some of the best I've ever heard when pointing a camera in someone's face - "I'm more Denver than Peyton Manning's pearly petute!"

Episode 4, adding Todd and a few others to the mix of Evan/Beverly/Cody/Tuwayne... I hope I can hold it together behind the lens. So thankful for the talent we have, you guys/gals are incredible.

What to say about the crew? Shiiiiit, you all know you performed like magicians! Patrick Walter's creative lighting is my favorite, Paul McCullough finally came out gripping and 2nd ACing like he's been here for years, the incredible sound addition of Alberto Martinez was more than you could ask for in professionalism, Troy Ten Eyck nailed another steadi-cam shot, gripped and was driver for another moving shot outside, Corey's make-up work was perfect, as expected, Greg is working closely with the talent to nail his screenplay, Jeremiah rocking out on a few hours of sleep kept us all moving somehow, and Tyler - seriously, just a random stop and you sealed the perfect location! Great job to both of our producers Saturday, it's tough to put into words all the crazy shit you guys do, but I hope to continually thank you for doing what's generally thankless.

"Long live The Art of Acting Out!" - P.W.

Wa da ta, my damies. Wa da ta.

Buddy Thomas [Director of Photography]

Tuesday, October 29, 2013

Give me yo number, girl.... also, pre-Casting Call!

So, if you have have been involved as cast/crew/extra/anything in AOAO, please send us your information to put on our web site so we double each other's lovins'....  Just send us your favorite headshot [pro photog's name included] and a 2-line bio with a touch of humor, and we'll put your pretty mug on our beautiful web site!

Want to be casted for a future role, or come to a set as an extra? Contact us! We have soooo many roles to fill!

Schnoogins.

-Buddy [donkey puncher], Paul [web-rasta]

Friday, October 25, 2013

Casting Call for extras! 10.27.13, Herman's Hideaway, 1p

Hey there AOAO supporters! Come out to Herman's at 1p this Sunday at 15th and S Broadway to be an extra in a humorous foot pageant scene for episode 3 of AOAO. We will have a few small speaking parts, if interested drop us a line through our Facebook page, contact your nearest AOAO rep or just show up!

- Jeremiah [producer]

Phill Collins is home.

Check out our kick-ass new home for Phill Collins and co. [theartofactingout.com]! Feel free to browse the cast/crew page for humorous bios, check out the content page to see some goofiness or listen to the show scores, and keep checking back for new blog posts about production, casting, promotions and more.


To the beginning!


- Buddy [DP]

- Paul [webmaster]

Thursday, October 24, 2013

Kickstarter editing

If I could stop laughing I might be able to edit this quicker, but really excited for our fans to see some real content for the first time! Block out your schedules people, November 15th at the RoosterCat Coffee House we are getting down on this watch party! More details to come.
- Buddy Thomas [DP]

Tuesday, October 22, 2013

Copy Centers of Colorado

Knocked out a flashback scene for episode 2 at Copy Centers of Colorado this evening. Very kind people and happy to have them as a location sponsor for episode 2. Thanks guys!

Monday, October 21, 2013

El Noa Noa shoot wrap-up

Thanks to El Noa Noa Restaurant at 7th and Santa Fe, we karate chopped episode 2 right square in the throat! 90% complete in 6 hours! Thanks to everyone who came and helped or even just drank margaritas and played extras. Check out the set photographer's gallery below:

http://www.fortuitousphotography.com/p1040209709/h166B0D14


See you for episode 3?


- Tyler Martin [producer]

Friday, October 18, 2013

Casting Call for Extras at El Noa Noa, 7th and Santa Fe

Looking for extras for a Mexican restaurant shoot down in Denver off 7th and Santa Fe, Sunday the 20th. Please contact us on our Facebook page or your nearest AOAO rep if interested!


- Jeremiah [producer]

Sunday, September 1, 2013

The Night the Lights Fell..


The first shoot of AOAO took place in a parking lot right by RoosterCat coffeehouse.  We had a great crew,  a late arriving lead actor, and pretty much no idea what we were doing.  See, the shoot was on a Friday night, and the parking lot was right behind one of SoBo's biggest clubs. So, naturally, by the time 10pm rolled around the parking lot owner shows up.  "Sure you can film here, if you pay for every space you're using to shoot." Not being part of the production crew at the time I turned a deaf ear to the discussion between the lot owner, Tyler, and Buddy.  Somehow we got the lot (catchy, isn't it?) and the owner even directed cars around and far from the shoot.

I had come on as a last minute gaffer for this, a night shoot!  I had all sorts of fun lights to play with, plenty of extension chords, gels, a limited amount of gaffer tape, stands that raised almost 20 feet, and absolutely no sandbags, cinder blocks, or other forms of safety...Yay!  As it turned out, I needed a couple of orange gels and to raise the stands almost at maximum height to provide a fake street-lamp/parking lot lamp look.  Needing at least 2, sometimes 3 point, lighting to pull this off, I had to be a constant asshole to some of the more 'green' members of the crew to have someone on these lights at all times. We often stopped a shoot and a grip would run off, leaving one of those things just sitting there like a 20' tall insurance liability waiting to happen..."At least break the damn thing down to it's 5 foot version!" I often screamed to the mutineers.

So...remember how I mentioned we shot on a club night?  I have never worked in some establishment like, say a 24 hour convenience store near a bar district, so I have not had the pleasure of soberly watching people in their energetic states on the way to the club, then their various stages of inebriation during and after the club...that all changed this evening.  There were never any fights (if you ever go to Boston, for example, there will be three fights per every block, usually simultaneous, right after the clubs close), and not even any puke that I recall, but there was one guy...

We were setting up Seymore's scene, our car thief beckoning the lead over to "help me push start my car" (in that rough Jersey accent), everyone was gathered near a car, which happened to belong to our lead actor's roommate, who happened to be dropping off some clothes and suckered into staying about 6 hours to let us use his car in the shoot.  I had my fake parking light set up, an orange gelled light standing a good 18 feet or so, and the kid was sitting on the base, as instructed by me. I made it very clear that he has to stay on that damn lamp.  It was in the wee hours after clubs closed, most of the straggler were gone. I would say it was damn near 4am, and one last car was in the lot, an SUV in the far corner of the parking lot, the driver and some passengers were in it, idling, getting ready to leave.  A kid from the absolute opposite corner of the parking lot, more like the sidewalk along Lincoln, began yelling at his "buddies" about some nonsense. He was hyped up, drunk, stoned, high on molly, your guess is as good as mine, but he was definitely in "the zone."  He decides to sprint from where he was on a direct "flag pattern" to the SUV, he'll be damned if there's a whole fucking film crew in his way...Surprisingly, he deftly skips and jumps through our gear bags lying outside of us, like a fucking mountain goat, and chooses to run past Cody's roommate close enough to give him a good whiff of whatever beer soaked, 3 hour dancing with perfumed skanky hoe smell this guy surely had on him...It was at this point that he keeled over in a dead stop, folding from head to knee like a switch blade.  You see, in this parking lot between the spaces that meet are concrete yellow posts with about an inch thick steel wire sitting right about 3 feet high, and the kid was completely oblivious to it.  His momentum was reversed and he fell over backwards, right into the 18 foot high light pole that Cody's roommate was sitting on, and like a giant domino it was heading straight for the hood of his car...

Fortunately, this enslaved car owner corrected himself as he slid off the lamp and grabbed the falling stand before it crashed into his car.  It would have caused hundreds, if not a few thousand, dollars in damage.  

So...what happened to our raving runner?  He slowly gets up, clearly in pain, then notices us all staring at his dumb ass, and what do you suppose the words are that come out of his mouth?  

"Sorry guys..." 

HAHAHAHA, no, the little shit did not say that...it was more like...

"Who put that there?"

And the moral of the story is, give us some fucking money so I can buy some fucking sandbags and build up a goddamn virtual fort around any shoot we're crazy enough to do on a Friday night in a parking lot by a club...

Sincerely

Jeremiah Zentz, ex gaffer and current production manager (and you wonder why I'm line producer?  This story is why!)